Design

Carlo Ratti Associati x Mutti

Carlo Ratti Associati x Mutti

As Milan Design Week comes to a close, the Fuorisalone installation that lingers in my mind is once again that which puts a design spin on the familiar. MIT professor and architect Carlo Ratti partnered with Mutti to create House of Polpa, a temporary structure that turns one of the most ubiquitous pantry staples into an immersive architectural experience. Canned goods are rarely the subject of design discourse, yet their cultural presence is undeniable, as Andy Warhol underscored decades ago.

Close-up view of a large cylindrical red metal structure with a grid pattern, looking out onto stone columns and greenery through iron bars.

Here, that same basic can became the starting point for a different kind of exploration. Installed beneath the portico of the Università degli Studi di Milano, approximately twenty thousand cans of Mutti tomato pulp were supported by a steel substructure that allows them to be stacked and gradually removed without compromising their stability.

A large red cylindrical art installation with a patterned surface is displayed under an arched stone hallway with columns.

Visitors walked through the red volume spanning more than 25 meters. Inside, the experience move beyond the visual. Subtle cues of scent, texture, and sound created a sensorial environment referencing the tomato supply chain.

A large red circular installation with a mirrored interior and hanging red strings is displayed in an arched hallway with brick walls and tiled flooring.

Rows of red cords hang vertically in front of a wall stacked with aluminum cans arranged in neat, curved rows.

Circularity is also embedded throughout. The flooring, developed using a Mapei resin made from dried tomato peels recovered from processing waste, reinforces the project’s ethos. Nothing there was purely symbolic. Each element points back to cycles of production, use, and reuse. In essence, the project is designed to be ephemeral.

A brightly lit installation features concentric circular structures lined with red cups, creating a tunnel effect inside an industrial space with brick walls and arched ceilings.

A large, cylindrical tunnel structure with a red grid pattern, illuminated by light, stands next to a metal fence and stone columns.

Visitors were invited to remove a can of Mutti Polpa as an example of participation through consumption. The dissolving structure will extend the exhibit’s life into many pasta dinners throughout the region. For the cans that remain, they will be donated. The dispersal of the project is what makes it so compelling. The installation’s destination will be someone’s kitchen, showing how design can minimize waste by thinking beyond single use.

A large, red cylindrical tunnel structure with a patterned grid surface is displayed indoors under arched ceilings, illuminated by lights on the floor. A brick and stone building with arches and columns displays three large cylindrical art installations covered in red and white patterns behind metal bars.

Images by Saverio Lombardi Vallauri, courtesy of INTERNI Magazine.

TJ Girard is a sought-after food designer and creative consultant, celebrated for staging theatrical, interactive food + beverage experiences. She now resides in California where her creativity is solar powered! TJ writes the Design Milk column called Taste.

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