Design

Bocci Fuses Blown Glass + Molten Aluminum in the 93 Collections

Bocci Fuses Blown Glass + Molten Aluminum in the 93 Collections

Bocci just launched its 93 collection in a sparingly staged Tribeca loft showcase, allowing the visually and viscerally complex luminaires to carry their own. The multifaceted studio and light brand—known for its experimental approach to material and production—developed the made-to-order lighting series by investigating what occurs when molten aluminum is poured into just hand-blown, “still hot,” glass vessels. The uniquely formed results are deft demonstrations of what occurs when two seemingly opposed forces fuse.

A close-up of a translucent, brownish soap bubble with intricate patterns and a bright light shining from the upper right background.

As if to the surprise of the maker—those wielding the blowpipes and crucibles at Bocci’s Vancouver HQ/factory—the combination reveals itself compatible. It’s the successful marriage of innate elements, transformed together from primary natural states into new proprietary paradigms. It’s all alchemy.

A group of abstract glass sculptures is displayed on a white platform in a minimalist gallery space with wooden floors and neutral walls.

“93 is a late work emerging from a decade-long interrogation of the relationship between glass and metal,” says Bocci cofounder and Omer Arbel. “By calibrating their rates of expansion, we were able to work with the two materials without catastrophic failure. A thick-walled glass sphere is blown and aluminum is poured manually, producing a fluid metal silhouette”

A group of geometric amber glass sculptures displayed on a white platform in a minimalist room with large windows in the background.

An empty room with three large windows, a wooden floor, a metallic spherical light fixture, a radiator, and light pink curtains on the right.

For the end user, the hardened—yet perceptibly iridescent and formally variable—metal and clear glass work well together to contain the incorporeality of light. The effect is not merely decorative but also evidence of a new tenable process and application, one that could be implemented in endless ways.

A round glass pendant light with an amber glow hangs in front of two large windows in a weathered room with wooden floors.

“Light enters the glass wall and grazes the metal where they meet, expressing the act of making in a single gesture,” Arbel adds.

A reflective spherical pendant light hangs near a window with sheer curtains in a room with worn walls and wooden floors.

According to Bocci, concealed LEDs point downward into the cavities and laterally through the glass walls, while interior metal disks diffuse the light outward. Fully illuminated from within, the interceded orbs reveal their full idiosyncratic make-up; the implicit, almost fossilized, imprint of heat, pressure, and fire at work, guided by minimal yet most controlled intervention. As a result, no two are the same.

Three metallic spherical pendant lights hang from a ceiling in a room with worn, textured walls, a large window, and a wooden floor.

Six spherical pendant lights hang in a row in front of worn, textured walls and windows in an industrial-style room with a radiator and wooden floor.

Four reflective, spherical pendant lights hang in a row against a worn, textured wall beside large windows in a minimally furnished room with wooden floors.

A row of spherical sculptures suspended from the ceiling in an empty, sunlit room with wooden floors and large windows.

A spherical, reflective pendant light hangs from the ceiling in front of a wall with peeling, textured paint.

A spherical glass pendant with amber and dark brown swirls hangs from a thin black cord against a neutral background.

Two broken glass vases with jagged edges are placed on a smooth, light and dark surface, with light highlighting their cracks and textures.

A broken glass vase with jagged edges sits on a surface, illuminated by light from the left against a dark background.

To see this and other works from the brand, visit bocci.com.

Photography courtesy of Fahim Kassam and Elliot Black.

Adrian Madlener is a Brussels-born, New York-based writer specializing in collectible and sustainable design. With a particular focus on topics that exemplify the best in craft-led experimentation, he’s committed to supporting talents that push the envelope in various disciplines.

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