Design

Sabah House NYC Pays Homage To Set + Setting

Sabah House NYC Pays Homage To Set + Setting

Completed in 1823 and clad in Flemish red brick, 56 Bleecker Street sits at the edge of the Bond Street district—one of the most exclusive enclaves in 1830s Manhattan. Once home to Jacobus Roosevelt II, great-grandfather of Franklin D. Roosevelt, the building also housed the practice of the first female physician in the United States, Dr. Elizabeth Blackwell. Drenched in history, the brick façade has aged remarkably well, all things considered. Paying homage to these ingrained traditions—and to the neighborhood that continues to support them—meet a local favorite, if you somehow haven’t already: Sabah.

Sabahs are made entirely by hand from 100% leather in either Texas or Turkey—two regions with distinct yet deeply rooted relationships to the material. The result is a shoe that varies subtly from pair to pair, even within the same size. The store accommodates this nuance, sometimes trying on upward of twenty pairs to find the right fit.

A brick storefront with an open door, three blue tables and chairs, and several large potted plants on the sidewalk. The interior displays shelves with colorful objects.

Inside, bespoke lighting by next-door neighbor Jill Platner casts each corner as a distinct vignette, inviting you to linger. This is intentional: as modern consumers, we’re accustomed to shoes that feel comfortable immediately—rarely pausing for those that require a break-in period, especially when made by hand. Outside of dedicated loafer enthusiasts, an all-leather shoe has become increasingly uncommon amid the rise of athleisure. Finding the right pair, then, becomes something of a Cinderella moment—when it fits, you know.

A cozy seating area with orange and red cushions is in front of a wall displaying shelves filled with neatly arranged colorful shoe pairs.

A wall display of neatly arranged shoes in various colors and styles inside a well-lit retail store with wooden accents.

With prospective pairs scattered across the floor, the space feels aligned with centuries of use. Whether you’ve come to browse, shop, or simply sit, there is room for it all—a generosity in the walkways and merchandising that feels notably rare for the area. There’s space to relax, perhaps with a coffee, or a drink if it’s after five—or even before.

A clothing store with wooden shelves displaying neatly arranged colorful ties in the foreground and folded shirts and jackets in the background.

In a city where places to sit and stay a while are at a premium, Sabah House offers a quiet reprieve. Product ledges double as benches, with storage tucked below for additional sizes. In an era where many claim the mantle of the “third space,” this one delivers—a genuine refuge from the noise.

A neatly organized boutique displays colorful folded textiles on shelves, clothing hanging on racks, and various accessories arranged on wooden cubby shelves.

If the kitchen is the heart of the home, the bar is the heart of Sabah House NYC.

A neatly organized clothing store displays folded shirts, hanging garments, accessories, and decor items on wooden shelves with a central table and red stools.

A cozy bar area with four wooden stools, a tiled counter, shelves displaying various items, and a "WHERE TO NEXT?" sign on the counter.

If the kitchen is the heart of the home, the bar is the heart of Sabah House NYC.

With a full range of kids’ sizing and a mini stamp bar featuring playful, themed icons, the space is notably family-friendly—though the stamps tend to attract everyone. Low seating invites climbing, while merchandising at multiple heights keeps the environment visually engaging from every vantage point.

Wooden shelves displaying glassware, cups, colorful ceramic plates, mugs, and pitchers with intricate patterns and designs.

A rustic shop interior with wooden floors, potted plants, a wooden table displaying bowls and goods, hats on the wall, and shelves with jars and bottles in the background.

Founder Mickey Ashmore—locally referred to as the “Sabah Dealer”—began selling Sabahs out of his East Village apartment more than a decade ago. Each pair carries distinct maker’s marks, connecting customers directly to the hands that crafted them. In an age of ultra-fast fashion and increasing indifference to provenance, Sabah revives an older paradigm—one that feels surprisingly radical today: celebrating human idiosyncrasy as a feature, not a flaw.

A table covered with a plaid cloth displays umbrellas, teacups, bowls, chopsticks, and various small gift items in a shop with large windows and bags hanging nearby.

A variety of children’s slip-on shoes in different colors and patterns, including pink, blue, leopard print, black, and brown, are displayed on a wooden platform indoors.

A round marble table displays wooden stamps, colored pencils in a cup, a notepad, books, and postcards against a stone wall.

A cozy, eclectic lounge with orange sofas, vibrant cushions, a coffee table with books and flowers, leafy plants, and a clothing display near large windows letting in natural light.

Founder Mickey Ashmore—locally referred to as the “Sabah Dealer”—began selling Sabahs out of his East Village apartment more than a decade ago. Each pair carries distinct maker’s marks, connecting customers directly to the hands that crafted them. In an age of ultra-fast fashion and increasing indifference to provenance, Sabah revives an older paradigm—one that feels surprisingly radical today: celebrating human idiosyncrasy as a feature, not a flaw.

A cozy, sunlit store interior with large windows, potted plants, a wooden chair, a coffee table with books, and shelves displaying items in the background.

A man in a blue suit sits on a wooden bench in front of shelves displaying many pairs of colorful shoes.

To learn more about Sabah House NYC, visit sabah.am.

Photography courtesy of Sabah.

Growing up in NYC has given Aria a unique perspective into art + design, constantly striving for new projects to get immersed in. An avid baker, crocheter, and pasta maker, handwork and personal touch is central to what she loves about the built environment. Outside of the city, she enjoys hiking, biking, and learning about space.

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